Da Vinci at the Staatstheater Cottbus: Dance theater about the spirit of invention


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Da Vinci: Movement becomes a space for thought
Leonardo da Vinci appears in this ballet production not as a museum icon, but as a restless spirit between art, science, and technical vision. In the chamber stage of the Staatstheater Cottbus, Lucas Valente's choreography transforms the Renaissance artist into a physical stage experiment: The human body seeks its limits, surpasses them, and finds a new language in dance.
A mindset instead of a biography
The dramaturgy does not follow a chronological life description. Instead, it focuses on Leonardo's spirit of inquiry, his unwavering will to gain knowledge, and his search for forms in which humans and machines merge. Movement becomes a movement of thought, every impulse an attempt to make the unknown visible.
Body, space, and technical imagination
Valente develops an intense stage experience from precise dance language, spatial dynamics, and an atmosphere of constant departure. The set design by Hans-Holger Schmidt and Lucas Valente actively incorporates movable walls, tables, chairs, easels, and lights into the production. The stage becomes a laboratory where building, shifting, disassembling, experimenting, and reassembling occur.
International choreography for Cottbus
Lucas Valente hails from Brazil and combines experiences from theater, circus, ballet, Graham technique, jazz, and contemporary dance. As a dancer, he has worked internationally with renowned artists and companies, and as a choreographer, he has presented works in São Paulo, Venice, and Zurich, among others. With Da Vinci, he is creating his first work for the Cottbus stage.
A concentrated journey through light, body, and sound
The chamber stage creates an immediate framework for a production in which every gesture gains significance. Costume, lighting mood, acoustics, and stage space combine to form a sensual total image. The art of acting enters into dialogue with the art of dance: Not words, but body lines, rhythms, and spatial tensions speak of the desire for knowledge and human limitations.
Conclusion: Renaissance as a present-day experience
Da Vinci promises an evening full of breathlessness, tension, and fascination. Anyone who wants to experience the Renaissance not as a closed chapter but as a mindset will find in Lucas Valente's choreography a contemporary dance theater about invention, body, and the limits of what is thinkable. Secure your tickets and experience this extraordinary stage event live in Cottbus.
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