Unstoppable Self-Movements at BLMK Cottbus: Photography as an Artistic Breakthrough


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Photography as a New Beginning: GDR Art in New Sharpness
At the Brandenburg State Museum of Modern Art in the Diesel Power Plant Cottbus, this art experience encounters a photography that consciously opposed routine, convention, and pure documentation in the 1980s. The exhibition Unstoppable Self-Movements. Art with Photography in the GDR shows how artists sought liberation, self-expansion, and transgression through images, actions, and performative interventions. ([cottbus.de](https://cottbus.de/veranstaltungen/ungebremste-selbstbewegungen-kunst-mit-fotografie-in-der-ddr/))
When Photography Becomes an Attitude
The presentation focuses on those currents of a different photography in the GDR that place the idea at the center rather than the representation. Instead of journalistic descriptions of reality, works are created that reflect their own conditions, often anti-aesthetic, experimental, and committed to serial thinking. The result is an exhibition atmosphere full of tensions, where the contemplation of works becomes both a historical and aesthetic experience. ([cottbus.de](https://cottbus.de/veranstaltungen/ungebremste-selbstbewegungen-kunst-mit-fotografie-in-der-ddr/))
Curatorial Perspective and Artistic Names
The concept of the exhibition comes from Christoph Tannert, who has been researching non-state-sponsored positions in GDR art for decades and is established as an author, curator, and art critic. Works by artists including Claus Bach, Tina Bara, Micha Brendel, Kurt Buchwald, Thomas Florschuetz, Else Gabriel, Wolf Kahlen, Maix Mayer, Florian Merkel, Cornelia Schleime, Erasmus Schröter, Gabriele Stötzer, and others who shape the spectrum of this image culture are presented. ([cottbus.de](https://cottbus.de/veranstaltungen/ungebremste-selbstbewegungen-kunst-mit-fotografie-in-der-ddr/))
The Diesel Power Plant as a Suitable Resonance Space
The Diesel Power Plant Cottbus is part of the BLMK, which is regarded as a comprehensive collection of GDR art with around 45,000 works. The site is open from Tuesday to Sunday from 11 a.m. to 7 p.m.; all exhibition spaces, the event room, and the mukk. are accessible via elevators. Thus, the museum offers a clearly structured framework for cultural education, collection reference, and in-depth museum education. ([blmk.de](https://www.blmk.de/wp-content/uploads/2024/10/blmk-4quartalsheft-2024-ansicht.pdf))
Why the Visit is Worthwhile
This exhibition opens the perspective on a only fragmentarily narrated chapter of GDR art history and shows photography as a medium of self-assertion, improvisation, and artistic freedom. Anyone interested in photographic art, performances, installations, and the aesthetic experience of East German avant-gardes will find an exhibition of great historical density and immediate presence here. A visit is definitely worthwhile in person, as these works unfold their full effect in the space. ([cottbus.de](https://cottbus.de/veranstaltungen/ungebremste-selbstbewegungen-kunst-mit-fotografie-in-der-ddr/))
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- Website: https://www.blmk.de/programm/ungebremste-selbstbewegungen/










