State of Receipt at the Diesel Power Plant Cottbus: Modern Art as a Living Collection
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State of Receipt in Cottbus: A Collection in Living Change
At the Brandenburg State Museum for Modern Art in the Diesel Power Plant Cottbus, the exhibition State of Receipt. Collection Accessions from 2021-2025 opens a view into a collection that is not seen as a completed archive, but as a vibrant space of the present. Works from visual art, photography, and poster art enter into a dense constellation and tell of donations, purchases, and art-historical lines that have shaped the profile of the institution for years.
An Artistic Experience between Collection and Present
The presentation makes visible how curation functions today: not as mere hanging, but as precise artwork consideration that reveals relationships, tensions, and aesthetic resonances. In the context of BLMK, the contemporary view of art from the GDR and subsequent traditions meets a collection that, according to the institution, is among the most extensive museum holdings of this kind. This creates an exhibition atmosphere where art history and the present are intertwined.
Painting, Photography, Poster Art: A Multifaceted Perspective
Particularly appealing is the diversity of the represented media. Painting, graphics, photography, and poster art condense into a panorama that brings together different handwriting styles and generations in conversation. Mentioned are works by Horst Bartnig, Ingrid Behla, Jan Brokof, Elżbieta Chojna, Lutz Fleischer, Kerstin Franke-Gneuß, Eva Mahn, Helga Paris, Núria Quevedo, Thomas Ranft, Christine Schlegel, Henrik Schrat, and Claus Weidensdorfer, among others. These names mark art-historical continuities while also reflecting the openness of a collection that continues to evolve.
The Diesel Power Plant as a Place of Aesthetic Experience
The exhibition venue gives the show a special spatial effect. The former power plant building in Goethepark combines industrial architecture with clear museum spaces. Light, material, and the historically charged surroundings enhance the art experience and direct the gaze to the internal logic of the works. Those who walk through the exhibition here do not only experience individual works but a carefully composed narrative about collecting, seeing, and preserving.
Communication, Access, and Educational Added Value
BLMK explicitly sees itself as a living institution with events and educational offerings. For visitors, this is a gain: the exhibition can not only be viewed but also deepened within the framework of cultural education. The institution is open from Tuesday to Sunday from 11 a.m. to 7 p.m.; the exhibition rooms, the event hall, and mukk. are accessible by elevators.
Conclusion
State of Receipt is more than a collection exhibition. The exhibition makes visible how art remains in motion, how collections grow, and how the present and art history mutually question each other anew. Anyone interested in modern art, museum curation, and the image culture of the region should definitely experience this exhibition live in Cottbus.
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- Website: https://www.blmk.de/
