Discovering Hugo Paul Harrer Anew in Branitz: Between Capri and Rome


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Desire for Italy, Drawing Art and Memory at Branitz Castle
The special exhibition Between Capri and Rome. Hugo Paul Harrer at the Prince Pückler Museum Park & Schloss Branitz invites a concentrated encounter with a now rarely shown painter of the 19th century. On display are drawings, paintings, and a freshly restored Vesuvius that bring the Italy of the artist to life between Rome, the Amalfi Coast, and Cottbus. The presentation showcases a more comprehensive collection from the Carl-Blechen collection of the city of Cottbus for the first time, connecting art history with collection history and aesthetic experience. ([cottbus-news.de](https://www.cottbus-news.de/veranstaltungen/ausstellungen/sonderausstellung-zwischen-capri-und-rom-hugo-paul-harrer-26083007031099))
Hugo Paul Harrer: An Artist Between Architecture, Landscape, and Rome
Hugo Paul Harrer, born in 1836 and died in Rome in 1876, developed from a begun architecture study to a painter with an independent view of architecture, city views, and southern landscapes. Sources describe him as a self-taught artist who worked in Nuremberg, Munich, Rome, and Düsseldorf, and connected strong light-shadow contrasts, realistic observation, and a finely observed language of forms in his artworks. It is precisely this connection of topographic precision and poetic mood that makes his work art-historically attractive. ([stiftung-volmer.de](https://www.stiftung-volmer.de/artist/321?utm_source=openai))
Between Capri, Rome, and Collection History
The exhibition not only focuses on motifs from Italy but also on the biography of the Harrer family. Franziska Wickerath, who married Hugo Paul Harrer in 1868, preserved his works after his early death and ensured that they later reappeared in exhibitions. Thus, a view of his work emerges that intertwines travel experience, memory culture, and provenance research. For art-interested visitors, this provides a rare access to a quiet but substantial position of German painting in the 19th century. ([cottbus-news.de](https://www.cottbus-news.de/veranstaltungen/ausstellungen/sonderausstellung-zwischen-capri-und-rom-hugo-paul-harrer-26082407111727))
Branitz as a Strong Exhibition Venue
Branitz Castle itself enhances the impact of this exhibition. The place is closely associated with Prince Pückler, landscape art, and cultural memory; the park is regarded as an outstanding example of romantic garden art. In the historic setting of the castle, drawings, paintings, and restoration findings create a special exhibition atmosphere where museum education, art mediation, and atmospheric spatial impact come together. The castle is not barrier-free and not accessible for wheelchair users. ([cottbus-news.de](https://www.cottbus-news.de/veranstaltungen/ausstellungen/sonderausstellung-zwischen-capri-und-rom-hugo-paul-harrer-26082407111727))
What Visitors Can Expect
Those interested in painting, desire for Italy, the Düsseldorf School, and the culture of the 19th century will experience a precisely curated art experience in Branitz. The combination of drawing, landscape, portrait, and restored Vesuvius makes visible how art emerges from travel impressions and how museums make forgotten collections readable again. This exhibition rewards a careful look and invites visitors to discover the images on site in their full tranquility and presence. A visit to Branitz is definitely worthwhile. ([cottbus-news.de](https://www.cottbus-news.de/veranstaltungen/ausstellungen/sonderausstellung-zwischen-capri-und-rom-hugo-paul-harrer-26083007031099))
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