Fons Hickmann at the Diesel Power Plant Cottbus: Poster Art as a Visual Thought Image

Event: Fons Hickmann. Posters of Today and Before in Brandenburgisches Landesmuseum für Moderne Kunst - Dieselkraftwerk Cottbus, Am Amtsteich 15, 03046 Cottbus on 15. October 2026

Date and Time

15. October 2026 11:00

Location

Cottbus
03 Cottbus, Deutschland

Price

4,00 €
Book Tickets

About this Event

Exhibitions & Museums

Mood

Relaxed

Venue Type

Inside

Fons Hickmann: Poster Art as a Visual Thought Image

The Brandenburg State Museum of Modern Art – Diesel Power Plant Cottbus dedicates a concentrated solo exhibition to Fons Hickmann. Posters of Today and Before spans three decades of independent communication design and makes visible how typography, image, material, and societal reflection merge into precise visual statements.

Three Decades of Graphic Experimentation

Fons Hickmann, born in Hamm in 1966, is one of the defining German communication designers of today. With his design studio founded in Berlin in 2001, he developed an award-winning body of work that spans poster design, book design, magazines, digital communication, and visual research. His approach of understanding each project as an experiment shapes the exhibition as a central curatorial perspective.

The Poster as a Cultural Thought Space

The works on display often arose in series for cultural clients. They are complemented by self-reflective and media-reflective works as well as posters commissioned by himself that address socio-political themes as paper interventions. Thus, the poster appears not merely as an advertising medium, but as an independent art form, cultural memory, and public thought image.

Typography, Image, and Material in Tension

In the exhibition atmosphere, clear typographic constructions, surprising image placements, and a precise sensitivity to surface, rhythm, and materiality come together. The examination of the works opens the eye to those design decisions that often remain incidental in everyday life: the effect of a letter, the tension between text and image, the dramaturgy of a series, and the political power of visual communication.

Art Historical Contextualization and Cultural Education

Hickmann's poster work resides at the intersection of graphic design, applied art, and contemporary visual culture. The exhibition shows how communication design as an art form connects with social issues, media self-reflection, and aesthetic research. For art enthusiasts, it offers a vivid introduction to contemporary poster art and the significance of curation, context, and public engagement.

Conclusion: Experience Poster Art Directly

Visitors can expect an intense art experience between typographic precision, visual energy, and societal observation. The exhibition invites viewers to see familiar communication forms in a new light and discover the aesthetic experience of the poster in its original form. A visit to the Diesel Power Plant Cottbus enriches cultural perception and opens new perspectives on design, art, and public engagement.

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