Condition of Acquisition at BLMK Cottbus: Experience Collection, Art, and the Present


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A Lively Chapter of the Collection at the Diesel Power Plant
With Condition of Acquisition. Collection Accessions from 2021-2025, the Brandenburg State Museum for Modern Art in Cottbus opens a window into the present of collecting. The exhibition brings together groups of works from visual arts, photography, and poster art that the museum has acquired over the past five years through donations or purchases. This creates an art experience that not only showcases individual works but makes visible the dynamics of a collection as cultural memory.
Collection as a Laboratory of the Present
At BLMK, works by Horst Bartnig, Ingrid Behla, Jan Brokof, Elżbieta Chojna, Karl-Heinz Drescher, Lutz Fleischer, Kerstin Franke-Gneuß, Alex Jordan, Renata Kaminska, Klaus Kehrwald, Eva Mahn, Christoph Niemann, Dietmar Nieschler, Andrzej Nowacki, Helga Paris, Núria Quevedo, Thomas Ranft, Wolfram A. Scheffler, Christine Schlegel, Henrik Schrat, Gudrun Trendafilov, Niklaus Troxler, Claus Weidensdorfer, Albert Weis, and Susanne Werdin encounter each other. The selection connects painting, graphics, photography, and poster art into a multivocal view of the works that touches on art historical lines as well as current aesthetic questions.
Material, Perspective, and Time
These works unfold their effect particularly in the space of the Diesel Power Plant. The former industrial architecture imparts a special exhibition atmosphere: hard edges meet fragile image worlds, precise graphic placements meet photographic condensation. Those who linger here experience how curatorial intentions and spatial effects enhance each other. The exhibition makes visible how collection accessions not only complement stocks but also shift perspectives and continue lines of tradition.
A Museum with Stance
The Brandenburg State Museum for Modern Art, with its locations in Cottbus and Frankfurt (Oder), possesses one of the most extensive museum collections of art from the GDR and subsequent traditions. In this context, Condition of Acquisition receives a special authority: The display is not merely a collection of new acquisitions but a curatorially conceived statement on collection policy, culture of remembrance, and cultural education. This is precisely where its strength lies for art-interested visitors.
Visitor Experience in Cottbus
Those who engage with this exhibition encounter a precisely composed path of image, object, and sign. The art experience thrives on the tension between individual handwriting and the shared horizon of a public collection. Condition of Acquisition invites you to see art as a living process: as acquisition, preservation, interpretation, and rediscovery. A visit to the Diesel Power Plant is definitely worthwhile in person, as only in the space do the tensions between work, collection, and location unfold their full effect.
Conclusion: This exhibition offers a concentrated look at the present of a significant art collection and the diversity of modern visual languages. Those who want to experience art history in the making should definitely visit Condition of Acquisition at the Diesel Power Plant Cottbus on-site.
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