When does the exhibition take place?

The exhibition is on view from June 13, 2026, to August 16, 2026, at the Diesel Power Plant Cottbus. The date given here is July 3, 2026, at 11:00 a.m.

Where can the exhibition be seen?

At the Diesel Power Plant of the Brandenburg State Museum of Modern Art in Cottbus, Uferstraße/Am Amtsteich 15, 03046 Cottbus.

What art forms are shown?

Groups of works from painting, photography, graphics, and poster art will be presented, along with an installation with a sculptural character.

Is the museum accessible?

Yes, the exhibition spaces at the Diesel Power Plant are accessible by elevators.

What are the opening hours?

The Diesel Power Plant is open from Tuesday to Sunday, 11 a.m. to 7 p.m.

Are there guided tours?

Yes, BLMK offers guided tours for the exhibition. For current dates and prices, it's recommended to check the museum's event calendar.

New Art at the Diesel Power Plant: Collection, Color, and Form in the Museum Experience

Name: Acquisition Status. Collection Accessions from 2021-2025
Start: 2026-07-03T13:00:00+02:00
End: 2026-08-16T21:00:00+02:00
Location: Dieselkraftwerk Cottbus

Acquisition Status in Cottbus: New Collection Works in the Dialogue of the Present

With Acquisition Status. Collection Accessions from 2021-2025, the Brandenburg State Museum of Modern Art at the Diesel Power Plant Cottbus opens a focused view of the most recent acquisitions of the collection. The exhibition gathers works that have come to the museum through donation or purchase in the past five years and arranges them into a thoughtful presentation between painting, photography, graphics, and poster art.

An Art Experience Between Order, Color, and Memory

At the center is the collection as a living organism: not a static inventory, but a growing structure of attitudes, forms, and visual ideas. The exhibition shows how concrete art, constructive rigor, and figurative handwriting intersect. The connection of Horst Bartnig's strictly mathematical works with a modular space sculpture by Albert Weis, which transforms painting and object art into an open resonance space, appears particularly impressive.

Painting, Graphics, and Photography as a Multifaceted Collection Narrative

The groups of works lead through different expressions of modern art. Abstract systems, reduced color structures, and geometric orders encounter photographic views of urban spaces, historical upheavals, and atmospheric conditions. In addition, there is poster art ranging from typographic posters to narrative imagery. This creates an exhibition that not only shows works but also makes the aesthetic logic of a collection readable.

The Diesel Power Plant as a Space for Artwork Observation

The location of the Diesel Power Plant Cottbus lends a distinctive exhibition atmosphere to the show. The architecture supports the perception of materiality, rhythm, and scale. Those who engage with the presentation experience how curation becomes cultural education: Each group of works sharpens the attention to lines, surfaces, photographic documents, and the significance of collection accessions for the museum's memory.

Art Historical Context with Contemporary Relevance

BLMK understands its collection as a starting point for programmatic lines. In this context, Acquisition Status represents a museum practice that not only documents purchases and donations but also places them in a current art historical context. The exhibition connects GDR traditions, East German repercussions, and contemporary positions to create a precise image of museum contemporary. This mixture is precisely what fascinates art-interested visitors.

Conclusion: Why a Visit is Worth It

Acquisition Status offers a rare insight into the recent development of a significant collection for modern art in Brandenburg. Those who want to experience painting, photography, poster art, and installation presentation in dialogue will find here an inspiring and professionally grounded art experience. A visit to the Diesel Power Plant Cottbus is worthwhile for all who wish to understand art not only as spectators but also in its museological creation and order.